If you’ve never been on a photowalk before, you probably imagine one of two things. Either: A deeply serious group of people silently photographing brick walls while discussing focal lengths… Or: Twenty-seven people in expensive jackets fighting over the same pigeon.

I shot a roll of 11-year-old KONO! Reanimated Donau, ISO 6…With mixed results

For two weeks, I decided to shoot a roll of black and white film every day. That was the rule. One roll. Every day. No excuses.

I developed the roll in this wild mixture, and the results were quietly strange in the best way: soft contrast, glowing highlights, and delicate marks left behind by the plants themselves.

Following on from my last piece about loneliness in shooting film, I’ve been thinking about what comes after that solitude, about the quiet trust we place in process, in chemistry, in time.

When I came across Sound Snap at Analogue Revival, it felt like a small gift, another sound film, waiting to be tested, waiting to be repurposed.