RITZ
Shot this at night on my 1931 Leica I, using Kentmere 400 film. Most of the frames were handheld at f/3.5 and 1/30 — which felt like just enough to hold the glow of the neon without losing that shadowy atmosphere.
The grain and contrast of Kentmere really suit this kind of moody, noir-inspired scene. There’s something beautiful about letting an old lens meet modern film and seeing what kind of ghosts it pulls out of the dark.
Sometimes I think the slower the camera, the more it teaches you to wait, even when you’re not stopping time.

process
Leica 1, 1931
Leitz 35mm f3.5
Kentmere 400 b&w
FlicFilm Black, White, and Green developer
Zone Imaging Lab Eco Zonefix
Jobo developing tank
Epson V600 scanner

Golden Eagle
The Golden Eagle hums with a quiet, steady soul, its walls steeped in the voices of centuries, the weight of stories pressed into every beam and board. A crossroads since the 1700s, where traders, travellers, and townsfolk paused to rest, talk, and breathe.
This photo was my way of catching its rhythm - the empty chairs waiting for conversation, the dartboard like a relic of simpler contests, the flower holding its ground in the dim light. Developing it in beer felt right, like weaving the image back into the pub's fabric, drawing out its character with the very thing that has sustained it all these years. It is not just a photo but a tribute to a place where time feels slower, steadier, and more accurate.
process
Rolleiflex TLR f2.8 80mm (1966)
Kodak 400TX 120
Brewdog/Grind coffee stout
Vitamin C
Soda crystals
Zone Imaging Lab Eco Zonefix
Jobo developing tank