top of page
RITZ

Shot this at night on my 1931 Leica I, using Kentmere 400 film. Most of the frames were handheld at f/3.5 and 1/30 — which felt like just enough to hold the glow of the neon without losing that shadowy atmosphere.

 

The grain and contrast of Kentmere really suit this kind of moody, noir-inspired scene. There’s something beautiful about letting an old lens meet modern film and seeing what kind of ghosts it pulls out of the dark.

Sometimes I think the slower the camera, the more it teaches you to wait, even when you’re not stopping time.

Sam Atkins Leica I.jpg
process

Leica 1, 1931

Leitz 35mm f3.5

Kentmere 400 b&w

FlicFilm Black, White, and Green developer

Zone Imaging Lab Eco Zonefix 

Jobo developing tank

Epson V600 scanner

The Eagle | Beer Development
Golden Eagle

The Golden Eagle hums with a quiet, steady soul, its walls steeped in the voices of centuries, the weight of stories pressed into every beam and board. A crossroads since the 1700s, where traders, travellers, and townsfolk paused to rest, talk, and breathe.

 

This photo was my way of catching its rhythm - the empty chairs waiting for conversation, the dartboard like a relic of simpler contests, the flower holding its ground in the dim light. Developing it in beer felt right, like weaving the image back into the pub's fabric, drawing out its character with the very thing that has sustained it all these years. It is not just a photo but a tribute to a place where time feels slower, steadier, and more accurate.

process

Rolleiflex TLR f2.8 80mm (1966)

Kodak 400TX 120

Brewdog/Grind coffee stout

Vitamin C

Soda crystals

Zone Imaging Lab Eco Zonefix 

Jobo developing tank

bottom of page